THREE

There were trees outside when

they arrived. One day, he

sliced everything down.

There’s only quiet,

filling the room until

she’s choking –

she used to hide it better but

it’s harder, now, and

she can’t grasp the edges of it and

he doesn’t try. He’s happy

in the garden, away from

the house’s thick silence.

At night a dark sea laps around her bed.

She’s awake. Listening for the scrape of

branches against the pane,

soft fingers on glass. His

heavy body beside her.

He’s asleep, somewhere.

TWO

There was never time.

The important things stayed

outside the house, and

she never went outside.

Too easy, with the kids crying, to ignore

the heady scent from the bush,

the silver leaves shivering.

They went driving, once,

down a dirt track

when she was young –

when they were young and

she was full of feeling, glad

to hear him talk.

In the house there’s no space

no space for thinking and so

she sits there. Sometimes

it doesn’t feel like she’s drowning.

ONE

Giddy, she slips out one night and

runs barefoot to his car.

This is real, she knows it, and

they’ll be happy, she knows it, and

she laughs with him the whole way there.

The bar’s busy, brimming

with noise, with people teeming

around her – she’s happy to listen, and wait

for the ride home. Outside the car

trees streak past, stretching

rough hands upwards. His hands

on the wheel. Quietly

he takes her home,

packs her up inside. Darkness

presses in against the windows.

Her eyes are open.

Somewhere, he’s asleep.

  • Rachel Kirk is an Arts/Laws student and closet poet. Her work has appeared in Voiceworks.